CONFERENCE ARCHIVE: 2013
Music Theory and Analysis: Musical Semiotics - 40 Years After
The 10th International Conference
8-10 November 2013
KEYNOTE SPEAKERS
Michel Imberty, Université Paris X – Nanterre
Après la sémiologie et le structuralisme, quelle approche de la musique aujourd’hui?
Mario Baroni, Università di Bologna
Carlo Jacoboni, Università di Modena
Rossana Dalmonte, Istituto Liszt, Bologna
Affective Procedures in a Musical Grammar
Herbert Schneider, Musikwissenschaftliches Institut der Universität des Saarlandes
Olivier Messiaen as Theorist
CONFERENCE PROGRAM
Friday, 8 November 2013
Katarina Tomašević: Dragutin Gostuški and Musical Semiotics
Marija Masnikosa: Playing with Signs in the Composition ’A Brief Account’… by Goran Kapetanović
Ivana Vuksanović: Intoned Meaning, Physiological Metaphors and Semantic Range in Variations Titled ’Karakteri’ by Vojislav Kostić
Mirjana Zakić: Ritual Songs as Systems of Sound Signs
Biljana Srećković: From Sound Object to Sound as Sign: Pierre Schaeffer’s Musique Concrete vs. Luc Ferrari’s Music Anecdotique
Srđan Atanasovski: The Affective Turn and the Critique of Semiotics: Challenges and New Vistas in Mapping Music Practices
Saturday, 9 November 2013
Ana Stefanović: Topos of Transcendence and its Position in Narrative Configuration of Music Drama
Melita Milin: In Search of Narrative Programmes in Ljubica Marić’s Works
Mina Božanić: Music Analysis via Musical Semiotics: Organisation of Musical Space in Josip Slavenski’s String Quartet no. 1 (1923)
Atila Sabo: Narrative Function of Semiotic Processes in Second Movement of Paul Hindemith’s Seventh String Quartet
Srđan Teparić: On the Transcendent Characteristics of Signs Exemplified in Music of Manuel De Falla, Igor Stravinsky and Dejan Despić
Jan Philipp Sprick: Analyzing Musical Ambiguity in Bach and Mozart
Filip Pavličić: Relation Between Music and Verbal Meaning in Schubert’s “Der Wanderer“, op.4 no.1
Aleksandra Ivković: Irony in lieder of Early Romantic Composers
Ivana Medić: The Challenges of Transition: Arvo Pärt’s ‘Transitional’ Symphony No. 3 between Polystylism and Tintinnabuli
Irena Alperyte: Hi, this is Francisco Tárrega calling!
Sunday, 10 November 2013
Anica Sabo: Berislav Popović’s Methodological Contribution to the Analyses of Symmetry in the Musical FlowSonja Marinković: Eastern and Western Concepts of Hystory of Music Theory
Viktorija Kolarovska Gmirja: Problems of Pitch Organization in Russian Music Theory
Valerija Kanački: Insight at Schumann’s Carnaval through the Prism of Asafiev’s Intonation Theory
Kato Koichi: Another Look at Schubertian Tonality
Jelena Mihajlović: Specific Ways of Modulation in the Music of Sergei Prokofiev – Proposal for a New Typology
Predrag Repanić: Imitation of Movable Counterpoints Revisited
Miloje Nikolić: Dynamic Forms of Vocal Music
PROGRAM COMMITTEE
Mario Baroni, Università di Bologna
Michel Imberty, Université Paris X – Nanterre
Carlo Jacoboni, Università di Modena
Herbert Schneider, Universität des Saarlandes
Anna Rita Addessi, Università di Bologna
Anica Sabo, University of Arts in Belgrade
Jan Philipp Sprick, Hohschule für Musik und Theater Rostock
Ana Stefanović, University of Arts in Belgrade
Ivana Vuksanović, University of Arts in Belgrade
ORGANIZATION COMMITTEE
Anica Sabo, Ana Stefanović, Ivana Vuksanović
Music Theory and Analysis: Musical Semiotics - 40 Years After
The 10th International Conference
8-10 November 2013
KEYNOTE SPEAKERS
Michel Imberty, Université Paris X – Nanterre
Après la sémiologie et le structuralisme, quelle approche de la musique aujourd’hui?
Mario Baroni, Università di Bologna
Carlo Jacoboni, Università di Modena
Rossana Dalmonte, Istituto Liszt, Bologna
Affective Procedures in a Musical Grammar
Herbert Schneider, Musikwissenschaftliches Institut der Universität des Saarlandes
Olivier Messiaen as Theorist
CONFERENCE PROGRAM
Friday, 8 November 2013
Katarina Tomašević: Dragutin Gostuški and Musical Semiotics
Marija Masnikosa: Playing with Signs in the Composition ’A Brief Account’… by Goran Kapetanović
Ivana Vuksanović: Intoned Meaning, Physiological Metaphors and Semantic Range in Variations Titled ’Karakteri’ by Vojislav Kostić
Mirjana Zakić: Ritual Songs as Systems of Sound Signs
Biljana Srećković: From Sound Object to Sound as Sign: Pierre Schaeffer’s Musique Concrete vs. Luc Ferrari’s Music Anecdotique
Srđan Atanasovski: The Affective Turn and the Critique of Semiotics: Challenges and New Vistas in Mapping Music Practices
Saturday, 9 November 2013
Ana Stefanović: Topos of Transcendence and its Position in Narrative Configuration of Music Drama
Melita Milin: In Search of Narrative Programmes in Ljubica Marić’s Works
Mina Božanić: Music Analysis via Musical Semiotics: Organisation of Musical Space in Josip Slavenski’s String Quartet no. 1 (1923)
Atila Sabo: Narrative Function of Semiotic Processes in Second Movement of Paul Hindemith’s Seventh String Quartet
Srđan Teparić: On the Transcendent Characteristics of Signs Exemplified in Music of Manuel De Falla, Igor Stravinsky and Dejan Despić
Jan Philipp Sprick: Analyzing Musical Ambiguity in Bach and Mozart
Filip Pavličić: Relation Between Music and Verbal Meaning in Schubert’s “Der Wanderer“, op.4 no.1
Aleksandra Ivković: Irony in lieder of Early Romantic Composers
Ivana Medić: The Challenges of Transition: Arvo Pärt’s ‘Transitional’ Symphony No. 3 between Polystylism and Tintinnabuli
Irena Alperyte: Hi, this is Francisco Tárrega calling!
Sunday, 10 November 2013
Anica Sabo: Berislav Popović’s Methodological Contribution to the Analyses of Symmetry in the Musical FlowSonja Marinković: Eastern and Western Concepts of Hystory of Music Theory
Viktorija Kolarovska Gmirja: Problems of Pitch Organization in Russian Music Theory
Valerija Kanački: Insight at Schumann’s Carnaval through the Prism of Asafiev’s Intonation Theory
Kato Koichi: Another Look at Schubertian Tonality
Jelena Mihajlović: Specific Ways of Modulation in the Music of Sergei Prokofiev – Proposal for a New Typology
Predrag Repanić: Imitation of Movable Counterpoints Revisited
Miloje Nikolić: Dynamic Forms of Vocal Music
PROGRAM COMMITTEE
Mario Baroni, Università di Bologna
Michel Imberty, Université Paris X – Nanterre
Carlo Jacoboni, Università di Modena
Herbert Schneider, Universität des Saarlandes
Anna Rita Addessi, Università di Bologna
Anica Sabo, University of Arts in Belgrade
Jan Philipp Sprick, Hohschule für Musik und Theater Rostock
Ana Stefanović, University of Arts in Belgrade
Ivana Vuksanović, University of Arts in Belgrade
ORGANIZATION COMMITTEE
Anica Sabo, Ana Stefanović, Ivana Vuksanović